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Graphik

Commercial Type · Christian Schwartz · 2009

View on Commercial Type
sans-serifneo-grotesquecondenseditalic
Graphik specimen from Commercial Type

Christian Schwartz's deliberately vanilla editorial sans, now a sprawling system across nine weights and eight widths with a slab sibling in Produkt.

About

A neo-grotesque sans by Christian Schwartz, deliberately vanilla and built as an editorial workhorse. Graphik offsets the round bowls typical of a geometric sans with the architecture and proportions of a European grotesk, skipping the baggage of more familiar postwar faces. Low contrast, open counters and compact descenders make it work in tight settings like subheads, captions and labels, while round dots and other human touches keep it warm at title and poster sizes. The family has matured into nine weights and eight widths, from Compact through five degrees of Condensed and out to Wide, and has even spawned a slab companion in Produkt. Remains one of the most-used sans serifs in editorial and brand work.

Classification

Commercial Type describe Graphik as a deliberately vanilla editorial workhorse, a hybrid that offsets the round bowls of a geometric sans with the architecture and proportions of a European grotesk, without the baggage of more dogmatic postwar sans serifs.

Weights

ThinExtralightLightRegularMediumSemiboldBoldBlackSuper

Optical sizes and widths

StandardCompactCondensedX CondensedXX CondensedXXX CondensedXXXX CondensedWide

Family

Graphik CompactGraphik CondensedGraphik X CondensedGraphik XX CondensedGraphik XXX CondensedGraphik XXXX CondensedGraphik Wide

Languages

Latin Extended

Tags

neo-grotesqueeditorial workhorsemagazinebrandingvanillaubiquitouswide width range