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Rekja

Nouvelle Noire · Anton Studer · 2010

View on Nouvelle Noire
seriftransitional serifitalic
Rekja specimen from Nouvelle Noire

A transitional serif by Anton Studer designed italic-first, lending the upright a lively rhythm suited to continuous reading.

About

Designed by starting with the italic rather than the roman, Rekja carries a warmth and dynamism into its upright forms that more conventionally sequenced text faces often lack. Strong edges and corners sit alongside round strokes, giving it a distinctive tension at text sizes. The family spans two weights with italics, and the name itself means 'tracking' in Icelandic. It received a Certificate of Excellence at TDC New York, an honourable mention in Typographica's Favourite Typefaces of 2013 and a Bronze at the Joseph Binder Award in 2014.

Classification

The foundry explicitly describes Rekja as a transitional typeface, with round and dynamic character balanced by strong edges and corners, rooted in hand-drawn italic forms.

Weights

RegularBold

Languages

Latin Extended

Tags

transitionaltextlegibilityitalic-ledliterarybodytextaward-winning